Two men are on their way to Denver City to settle a personal score. One is looking for the murderer of his father, the other for a former friend who stole his gold. They're joined by a third person, a mysterious pistolero.

一对情侣互相问了一系列问题，这些问题将决定他们是否注定要在一起。

A couple ask each other a series of questions that will determine if they're meant to be together.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Set in the world of competitive gymnastics, the series follows a group of teen Olympic hopefuls as they train for their day in the spotlight.

Anthology series of famous feuds with the first season based on the legendary rivalry between Bette Davis and Joan Crawford which began early on their careers, climaxed on the set of "Whatever Happened to Baby Jane?" and evolved into an Oscar vendetta.

Journalist Sandra Harkow produces a promotional film for the RFID industry. Through a time traveler, she learns about the dark future triggered by RFID chips. Her encounter with the time traveler makes her prick up her ears and she researches the radio chips. The so-called docu-fiction style, which coherently combines real interviews with film scenes, gives the viewer the impression of being part of this reality.

Journalist Sandra Harkow produces a promotional film for the RFID industry. Through a time traveler, she learns about the dark future triggered by RFID chips. Her encounter with the time traveler makes her prick up her ears and she researches the radio chips. The so-called docu-fiction style, which coherently combines real interviews with film scenes, gives the viewer the impression of being part of this reality.

Claudia is an attractive and enterprising thirties forming an ideal family with her husband and son. Her life is perfect, even she has a handsome lover named Paul who takes phenomenal. However, one day Paul is tired of the relationship and is bundled with Elena, a young loving but jealous when another woman ahead. Claudia asks for help from her sister to take back what is theirs and the two hatch a plan to win back Paul. The key is to get him away from Elena.